This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful leaf from the Sea Almond tree.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful leaf from the Sea Almond tree.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
Part of Liesl Pfeffer’s ongoing project, To See The Moon Fall From The Sky (2016-) Pfeffer has a passion for exploring time and indexicality (the physical relationship between the object photographed and its resulting image). The works in this series depict celestial objects such as stars, moons and planets. Pfeffer uses light from the Sun in the exposure of cyanotype photograms using drawings and sunlight to cast shadows on light-sensitive paper, so that the photograph records a trace—or index—of its subject.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs,, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
Taken along the Seven Sisters coastline, East Sussex. Perrott takes the imagery of a vast, powerful sea and intersects it with the coastline that serves as its mouth, instantly contrasting the moving force of the water and the seemingly immutable landscape that borders it. Throughout his work, British photographer Oliver Perrott expresses his fascination with the stunning landscape and textures of the area in which he grew up. Learn More
Taken along the Seven Sisters coastline, East Sussex. Perrott takes the imagery of a vast, powerful sea and intersects it with the coastline that serves as its mouth, instantly contrasting the moving force of the water and the seemingly immutable landscape that borders it. Throughout his work, British photographer Oliver Perrott expresses his fascination with the stunning landscape and textures of the area in which he grew up. Learn More
This expressive plant shot is a reminder of the legendary playwright’s affinity for all things botanical. The Bard of Avon himself would have been pleased with this print, produced as part of Emilija Petrauskiene’s extensive series of wet-plate floral photography.
This expressive plant shot is a reminder of the legendary playwright’s affinity for all things botanical. The Bard of Avon himself would have been pleased with this print, produced as part of Emilija Petrauskiene’s extensive series of wet-plate floral photography.
A powerful, lightened shot of a tulip (Allegretto) mid-bloom. Note the shading and sections of light mixing with darkness, helping this plant appear as though it is starting to ascend. The shaded stem and light-soaked petals exemplify a skilled use of contrast.
A powerful, lightened shot of a tulip (Allegretto) mid-bloom. Note the shading and sections of light mixing with darkness, helping this plant appear as though it is starting to ascend. The shaded stem and light-soaked petals exemplify a skilled use of contrast.
