This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou brings forth its vigor and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou brings forth its vigor and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou brings forth its vigor and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou brings forth its vigor and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou strives to bring forth its vigour and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
This new collection of handmade cyanotypes from Ellie Tsatsou, focuses on auto-luminescent sources of energy. The series studies the light-sensitivity of her printing surfaces and the depth of her materials, producing results that float across the spectrum of cyan and blue. In partnership with the sun, Ellie Tsatsou strives to bring forth its vigour and grace. Visually, the works explore variations of the circular shape and consequently, the embedded notions of flow and continuity.
Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
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Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
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Shot at the Green Marble quarry in Tinos island, Greece. Whilst appearing as though it is an aerial landscape view, it is actually a close up shot of the marble surface with detail of the paths and texture the stone creates when broken open. Learn More
Shot at the Green Marble quarry in Tinos island, Greece. Whilst appearing as though it is an aerial landscape view, it is actually a close up shot of the marble surface with detail of the paths and texture the stone creates when broken open. Learn More
Shot in a New York City, capturing the hands of a dancer involved in a dance project with photographer Ellie Tsatsou whilst in a studio. It ended up being a closer observation of human hands, for which the photographer has an affinity and is frequently found as a subject of her work.
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Shot in a New York City, capturing the hands of a dancer involved in a dance project with photographer Ellie Tsatsou whilst in a studio. It ended up being a closer observation of human hands, for which the photographer has an affinity and is frequently found as a subject of her work.
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This is a close up of the historic Panathenaic Stadium in Athens, a masterpiece of construction made entirely of marble. Note how the stones are creating waves and rhythm in this curved point.
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This is a close up of the historic Panathenaic Stadium in Athens, a masterpiece of construction made entirely of marble. Note how the stones are creating waves and rhythm in this curved point.
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Shot in Naxos island, in Greece, where Ellie Tsatsou’s mother was born. This shot evokes a memorable detail of island life in Greece - Bougainvillea flowers strewn across the island pavements. During the peak of summer, the streets are full of the white, magenta and blue hues of this distinctively Mediterranean flower.
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Shot in Naxos island, in Greece, where Ellie Tsatsou’s mother was born. This shot evokes a memorable detail of island life in Greece - Bougainvillea flowers strewn across the island pavements. During the peak of summer, the streets are full of the white, magenta and blue hues of this distinctively Mediterranean flower.
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This is an excellent example of Jun Tokunaga’s moment-in-time focus on floral photography. Note the specific outline of the light, positioning the plant against a window. It’s a romantic interpretation of fauna that feels like it could have been a still from a vintage film.
This is an excellent example of Jun Tokunaga’s moment-in-time focus on floral photography. Note the specific outline of the light, positioning the plant against a window. It’s a romantic interpretation of fauna that feels like it could have been a still from a vintage film.
This is perhaps the quintessential Jun Tokunaga shot. The pink and red hues of each subject are set apart thanks to the blue background, seemingly vying for attention while also serving as ample contrast to one another. Note the blurring of the edges around the petals, transforming the plants into abstract figures.
This is perhaps the quintessential Jun Tokunaga shot. The pink and red hues of each subject are set apart thanks to the blue background, seemingly vying for attention while also serving as ample contrast to one another. Note the blurring of the edges around the petals, transforming the plants into abstract figures.
Showing her skill with aspects of fine art floral photography, Jun Tokunaga goes a little beyond the colour saturation, opting to instead adeptly position her focus. The result is a shot that points a wandering eye at specific positions.
Showing her skill with aspects of fine art floral photography, Jun Tokunaga goes a little beyond the colour saturation, opting to instead adeptly position her focus. The result is a shot that points a wandering eye at specific positions.
The bright, expressive reds of the poppies in question here aren’t lost to the green foliage of the background. Even when blurred as part of its surroundings, this floral print from Japanese photographer Jun Tokunaga manages to have its say and stand apart.
The bright, expressive reds of the poppies in question here aren’t lost to the green foliage of the background. Even when blurred as part of its surroundings, this floral print from Japanese photographer Jun Tokunaga manages to have its say and stand apart.
