Shot in a New York City, capturing the hands of a dancer involved in a dance project with photographer Ellie Tsatsou whilst in a studio. It ended up being a closer observation of human hands, for which the photographer has an affinity and is frequently found as a subject of her work.
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Shot in a New York City, capturing the hands of a dancer involved in a dance project with photographer Ellie Tsatsou whilst in a studio. It ended up being a closer observation of human hands, for which the photographer has an affinity and is frequently found as a subject of her work.
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Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
A powerful, lightened shot of a tulip (Allegretto) mid-bloom. Note the shading and sections of light mixing with darkness, helping this plant appear as though it is starting to ascend. The shaded stem and light-soaked petals exemplify a skilled use of contrast.
A powerful, lightened shot of a tulip (Allegretto) mid-bloom. Note the shading and sections of light mixing with darkness, helping this plant appear as though it is starting to ascend. The shaded stem and light-soaked petals exemplify a skilled use of contrast.
This sensual and arresting image is taken from the 'Human Zoo' series. Contemporary dancers were daubed in body paint and danced, free-style, whilst Matilda clicked away. Learn More
This sensual and arresting image is taken from the 'Human Zoo' series. Contemporary dancers were daubed in body paint and danced, free-style, whilst Matilda clicked away. Learn More
This image was shot in Tarangire, Tanzania, in 2014, where Caroline has frequently come across giraffes feasting under trees. This composition was especially appealing to her because the animal’s neck aligns with the slanting trunk, lending a unique angle to a giraffe portrait. Learn More
This image was shot in Tarangire, Tanzania, in 2014, where Caroline has frequently come across giraffes feasting under trees. This composition was especially appealing to her because the animal’s neck aligns with the slanting trunk, lending a unique angle to a giraffe portrait. Learn More
This image was shot in the Western Serengeti in 2014. After following a wildebeest migration, Caroline came across a group of ten giraffes feeding on acacias, which were dispersed singularly across the plain.
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This image was shot in the Western Serengeti in 2014. After following a wildebeest migration, Caroline came across a group of ten giraffes feeding on acacias, which were dispersed singularly across the plain.
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The Wood series was taken during one of Oliver’s many local walks between Brighton and Shoreham. The atmospheric background was created by a milky sky. Learn More
The Wood series was taken during one of Oliver’s many local walks between Brighton and Shoreham. The atmospheric background was created by a milky sky. Learn More
Shot on the road to Mt. Fitsroy, Argentina, the proportions here are perfectly suspended between road and mountain. Photographer Holly Wilmeth waited for the clouds to clear to get the perfect shot. Learn More
Shot on the road to Mt. Fitsroy, Argentina, the proportions here are perfectly suspended between road and mountain. Photographer Holly Wilmeth waited for the clouds to clear to get the perfect shot. Learn More
