Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening. Learn More

Shot at the Green Marble quarry in Tinos island, Greece. Whilst appearing as though it is an aerial landscape view, it is actually a close up shot of the marble surface with detail of the paths and texture the stone creates when broken open. Learn More

Shot in a New York City, capturing the hands of a dancer involved in a dance project with photographer Ellie Tsatsou whilst in a studio. It ended up being a closer observation of human hands, for which the photographer has an affinity and is frequently found as a subject of her work. Learn More

This is a close up of the historic Panathenaic Stadium in Athens, a masterpiece of construction made entirely of marble. Note how the stones are creating waves and rhythm in this curved point. Learn More

Shot in Naxos island, in Greece, where Ellie Tsatsou’s mother was born. This shot evokes a memorable detail of island life in Greece - Bougainvillea flowers strewn across the island pavements. During the peak of summer, the streets are full of the white, magenta and blue hues of this distinctively Mediterranean flower. Learn More

Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More

Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More

Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More

Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More

Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More

Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland. Learn More

Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More