Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More

Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More

Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More

Capturing a shot of the seagulls proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More

Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More

Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides. Learn More

Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More

This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More

Taken at Beachy Head, East Sussex. Perrott takes the imagery of a vast, powerful ocean and intersects it with the coastline that serves as its mouth, instantly contrasting the moving force of the water and the seemingly immutable landscape that borders it. Throughout his work, Oliver Perrott expresses his fascination with the stunning landscape and textures of the area in which he grew up. Learn More

Expanded Features is part of a Polyptych, shot in Finland. Learn More

‘12 Days’ forms part of the 'In Between Time' series, shot deep in the enchanting forests of Finland. Learn More

‘Stand Out’ forms part of the 'In Between Time' series, enchanting in its minimalism. Learn More