Ever appreciative of minimalist surrealism, Petecia Le Fawnhawk’s fine art photography makes inspired use of her surroundings, evidenced by this geometric piece. Note how the shadow coverage blurs the line slightly between the natural and the imaginative.
Ever appreciative of minimalist surrealism, Petecia Le Fawnhawk’s fine art photography makes inspired use of her surroundings, evidenced by this geometric piece. Note how the shadow coverage blurs the line slightly between the natural and the imaginative.
Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
Learn More
Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
Learn More
Home as Insight. Sometimes home is in a heartbeat, home is the light of the dusk, the scent of the sea. It can be contained, all and whole, in a grain of sand.
Home is a sense, not things. The very nature of it, of looking for it, is a spiritual awakening, an intuitive understanding of the essence of one that unites all our hands. The Home Series aims to create an atmosphere of belonging - we are trees that travel, heart on roots. Learn More
Home as Insight. Sometimes home is in a heartbeat, home is the light of the dusk, the scent of the sea. It can be contained, all and whole, in a grain of sand.
Home is a sense, not things. The very nature of it, of looking for it, is a spiritual awakening, an intuitive understanding of the essence of one that unites all our hands. The Home Series aims to create an atmosphere of belonging - we are trees that travel, heart on roots. Learn More
The Moon Series is a sequence of soft photographs of our earth's natural satellite, with the intention to allude the sense of scale of our known universe and to note a broader, wider perspective on life. As observed from various places of our planet, and by preserving the moon's perceived size as seen by the naked human eye, these photographs act as an invite to stargaze, intuit, gather and wonder. As a collection of works (ongoing since 2014), it has been inspired by the homecoming writings of Carl Sagan and the poems of Rumi, especially the love poem, 'Like this'.
/ ἄνθρωπος (ánthrōpos) / (meaning, human) the one that looks up.
The Moon Series is a sequence of soft photographs of our earth's natural satellite, with the intention to allude the sense of scale of our known universe and to note a broader, wider perspective on life. As observed from various places of our planet, and by preserving the moon's perceived size as seen by the naked human eye, these photographs act as an invite to stargaze, intuit, gather and wonder. As a collection of works (ongoing since 2014), it has been inspired by the homecoming writings of Carl Sagan and the poems of Rumi, especially the love poem, 'Like this'.
/ ἄνθρωπος (ánthrōpos) / (meaning, human) the one that looks up.
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
