Ever appreciative of minimalist surrealism, Petecia Le Fawnhawk’s fine art photography makes inspired use of her surroundings, evidenced by this geometric piece. Note how the shadow coverage blurs the line slightly between the natural and the imaginative.
Ever appreciative of minimalist surrealism, Petecia Le Fawnhawk’s fine art photography makes inspired use of her surroundings, evidenced by this geometric piece. Note how the shadow coverage blurs the line slightly between the natural and the imaginative.
Shot in Death Valley, this piece from Petecia Le Fawnhawk focuses on a sense of serenity and peace within the context of even the most unforgiving environments - this fine art series was shot while battling gruelling daytime temperatures that threatened heat stroke.
Shot in Death Valley, this piece from Petecia Le Fawnhawk focuses on a sense of serenity and peace within the context of even the most unforgiving environments - this fine art series was shot while battling gruelling daytime temperatures that threatened heat stroke.
Shot in Death Valley, this piece from Petecia Le Fawnhawk focuses on a sense of serenity and peace within the context of even the most unforgiving environments - this fine art series was shot while battling gruelling daytime temperatures that threatened heat stroke.
Shot in Death Valley, this piece from Petecia Le Fawnhawk focuses on a sense of serenity and peace within the context of even the most unforgiving environments - this fine art series was shot while battling gruelling daytime temperatures that threatened heat stroke.
Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
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Shot in Tinos Island, Greece - during what photographer Ellie Tsatsou calls her ‘favourite golden hour’. The view of ships approaching harbours is quite vividly engraved on the photographers memory from her time growing up in Greece and her island travels. This shot perfectly captures that ethereal, peaceful feeling of a late summer evening.
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Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northern most point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northern most point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
