Shot in Naxos island, in Greece, where Ellie Tsatsou’s mother was born. This shot evokes a memorable detail of island life in Greece - Bougainvillea flowers strewn across the island pavements. During the peak of summer, the streets are full of the white, magenta and blue hues of this distinctively Mediterranean flower.
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Shot in Naxos island, in Greece, where Ellie Tsatsou’s mother was born. This shot evokes a memorable detail of island life in Greece - Bougainvillea flowers strewn across the island pavements. During the peak of summer, the streets are full of the white, magenta and blue hues of this distinctively Mediterranean flower.
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Shot on Lake Michigan, Chicago, this image is an expression of Elina Ruka’s personal fear of the sea. Combining multiple images as layers, it evokes a careful curiosity that aims to contextualize why this powerful force of nature causes anxiety. Simultaneously, this fine art photograph encourages looking at each other beyond reactionary and surface-level observations — much like the ocean, there’s more to each of us underneath what is seen. Learn More
Shot on Lake Michigan, Chicago, this image is an expression of Elina Ruka’s personal fear of the sea. Combining multiple images as layers, it evokes a careful curiosity that aims to contextualize why this powerful force of nature causes anxiety. Simultaneously, this fine art photograph encourages looking at each other beyond reactionary and surface-level observations — much like the ocean, there’s more to each of us underneath what is seen. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Shot with brevity in mind, Caroline Fraser’s eye for her subject here focuses on the idea of transience. Everything in the frame is in motion, even the solitary tree that serves as subject —note the faint outline that implies as much. It’s a poignant and somber shot that brings about a sense of fading memory. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3 am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northern most point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northern most point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
