A magnificent view from one of Scotland’s most iconic mountains, Suilven. Situated in the heart of misty Assynt in the Northwest of the Scottish Highlands. This area is home to a rugged landscape; distinctively shaped mountains that rise steeply from the surrounding lochan scenery. Due to their steep sides rising from the moorland, they often appear higher than their actual height. Most commonly shrouded in low lying cloud. Assynt represents true Scottish atmosphere; dull and moody weather and more rarely, magical light that dances through the fog. Learn More
A magnificent view from one of Scotland’s most iconic mountains, Suilven. Situated in the heart of misty Assynt in the Northwest of the Scottish Highlands. This area is home to a rugged landscape; distinctively shaped mountains that rise steeply from the surrounding lochan scenery. Due to their steep sides rising from the moorland, they often appear higher than their actual height. Most commonly shrouded in low lying cloud. Assynt represents true Scottish atmosphere; dull and moody weather and more rarely, magical light that dances through the fog. Learn More
Initially intended to be purely a landscape photograph with sheets of sunlight dancing over waters surface, a flock of seabirds unexpectedly made their way into the frame; adding an extra element of balance to the composition. A fine example of serendipity - a favourite ingredient of wildlife photography.
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Initially intended to be purely a landscape photograph with sheets of sunlight dancing over waters surface, a flock of seabirds unexpectedly made their way into the frame; adding an extra element of balance to the composition. A fine example of serendipity - a favourite ingredient of wildlife photography.
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The salt marshes are one of the most unique locations on the rugged Isle of Harris. A mecca for compositions created from meandering streams forming micro islands. The winding streams lead the eye to the perfectly poised and shapely peak of Ceapabhal in the background. Learn More
The salt marshes are one of the most unique locations on the rugged Isle of Harris. A mecca for compositions created from meandering streams forming micro islands. The winding streams lead the eye to the perfectly poised and shapely peak of Ceapabhal in the background. Learn More
Richard Gaston captures a rare shot of two white Highland ponies on one of the Isle of Harris’s famous remote white beaches. The motion conveyed in the machair grass and the horse’s manes, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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Richard Gaston captures a rare shot of two white Highland ponies on one of the Isle of Harris’s famous remote white beaches. The motion conveyed in the machair grass and the horse’s manes, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
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A bitterly cold night camping in sub-zero conditions, however, this effort was truly rewarded with a spectacular light on An Teallach the following morning Learn More
A bitterly cold night camping in sub-zero conditions, however, this effort was truly rewarded with a spectacular light on An Teallach the following morning Learn More
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
Part of the Blue Flowers series, Pine branch and Seeds was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Pine branch and Seeds was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Blackberry Branch was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Blackberry Branch was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Branch II was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Branch II was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Branch I was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
Part of the Blue Flowers series, Branch I was part of a solar printing project created by Liesl Pfeffer during a residency in rural Australia. Foraged native plants and seeds were used to print silhouettes of these organic materials using cyanotype solar printing.
