This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
Los Feliz, LA - part of Velicescu's Los Angeles series, this image of Californian palms encapsulates the photographer's obsession with the shooting subjects that are beautiful for their vibrant colours and clean lines but are simultaneously devoid of obvious signs of life. Learn More
Los Feliz, LA - part of Velicescu's Los Angeles series, this image of Californian palms encapsulates the photographer's obsession with the shooting subjects that are beautiful for their vibrant colours and clean lines but are simultaneously devoid of obvious signs of life. Learn More
Shot in New York, the photographer says, “I am naturally drawn to the quietness and peacefulness of wide and unlimited landscapes: beaches, deserts, horizons… It gets even more exciting when I’m able to catch individuals or even just a silhouette, which gives a scale to the whole picture.” Learn More
Shot in New York, the photographer says, “I am naturally drawn to the quietness and peacefulness of wide and unlimited landscapes: beaches, deserts, horizons… It gets even more exciting when I’m able to catch individuals or even just a silhouette, which gives a scale to the whole picture.” Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
Learn More
