This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as these beautiful palm fronds.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
This ephemeral series from printmaker, Jo de Pear focuses on the cyanotype process using the strong UV light of the Caribbean sun on the island of Antigua. Armed with secateurs, she forages the island for a diversity of fauna and flora to adorn her creations such as this beautiful sea fan washed up on the shores of this tropical island.
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
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Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
Helen Dixon has long been fascinated by the continuous movement of energy in nature, unending and in constant flux. Source material for her Cyanotype work came initially from her own photography, drawings and notes made on walks along various parts of the south coast of England. Her aim is to capture the sense of movement and energy.
Each print from the Big Blue series shows a wave in isolation, one momentary formation in an ongoing process of continual transformation.
Learn More
This piece of fine art photography was shot by Juliana Vasquez in the village of Trancoso in Bahia, Brazil. The concept here was to capture the Iemanjá festival and add an emphasis on narrative - note the adept use of colour grading.
This piece of fine art photography was shot by Juliana Vasquez in the village of Trancoso in Bahia, Brazil. The concept here was to capture the Iemanjá festival and add an emphasis on narrative - note the adept use of colour grading.
Shot in Bahia, Brazil, this image from Juliana Vasquez had the simple mission of documenting details of a village. In doing so, double exposure is used, layering one image on top of the other for a memorable effect.
Shot in Bahia, Brazil, this image from Juliana Vasquez had the simple mission of documenting details of a village. In doing so, double exposure is used, layering one image on top of the other for a memorable effect.
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
