This piece of fine art photography was shot by Juliana Vasquez in the village of Trancoso in Bahia, Brazil. The concept here was to capture the Iemanjá festival and add an emphasis on narrative - note the adept use of colour grading.
This piece of fine art photography was shot by Juliana Vasquez in the village of Trancoso in Bahia, Brazil. The concept here was to capture the Iemanjá festival and add an emphasis on narrative - note the adept use of colour grading.
Shot in Bahia, Brazil, this image from Juliana Vasquez had the simple mission of documenting details of a village. In doing so, double exposure is used, layering one image on top of the other for a memorable effect.
Shot in Bahia, Brazil, this image from Juliana Vasquez had the simple mission of documenting details of a village. In doing so, double exposure is used, layering one image on top of the other for a memorable effect.
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
The boy in the picture is a Mursi. He was very shy when having his picture taken, but was delighted with the result afterwards. The image is a tribute to the beauty and grace of the people from the Omo Valley, at a time when tribal fashions are being lost to the forces of globalization. Learn More
Shot in Rye Harbour, East Sussex, and part of a small series from the harbour and Romney Marsh, the image accentuates the contrasting colour of the estuary buoys against the water. Learn More
Shot in Rye Harbour, East Sussex, and part of a small series from the harbour and Romney Marsh, the image accentuates the contrasting colour of the estuary buoys against the water. Learn More
This image is part of Velicescu's ongoing and widely celebrated 'On The Periphery' series, which explores the aesthetic and utilitarian effect of architecture in and around Los Angeles. Learn More
This image is part of Velicescu's ongoing and widely celebrated 'On The Periphery' series, which explores the aesthetic and utilitarian effect of architecture in and around Los Angeles. Learn More
Los Feliz, LA - part of Velicescu's Los Angeles series, this image of Californian palms encapsulates the photographer's obsession with the shooting subjects that are beautiful for their vibrant colours and clean lines but are simultaneously devoid of obvious signs of life. Learn More
Los Feliz, LA - part of Velicescu's Los Angeles series, this image of Californian palms encapsulates the photographer's obsession with the shooting subjects that are beautiful for their vibrant colours and clean lines but are simultaneously devoid of obvious signs of life. Learn More
Shot in New York, the photographer says, “I am naturally drawn to the quietness and peacefulness of wide and unlimited landscapes: beaches, deserts, horizons… It gets even more exciting when I’m able to catch individuals or even just a silhouette, which gives a scale to the whole picture.” Learn More
Shot in New York, the photographer says, “I am naturally drawn to the quietness and peacefulness of wide and unlimited landscapes: beaches, deserts, horizons… It gets even more exciting when I’m able to catch individuals or even just a silhouette, which gives a scale to the whole picture.” Learn More
Shot in the small Siberian town of Akademgorodok, the atmosphere is haunting and a little sad, a nod to it’s history as the centre for scientific learning in the former USSR. The arresting combinations of blue caught the photographer’s eye, the balconies and the car lining up perfectly.
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Shot in the small Siberian town of Akademgorodok, the atmosphere is haunting and a little sad, a nod to it’s history as the centre for scientific learning in the former USSR. The arresting combinations of blue caught the photographer’s eye, the balconies and the car lining up perfectly.
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This was shot at Olkhon Island on the shore of Lake Baikal, which the world’s largest and deepest freshwater lake. Billy Bolton captures the striking combination of a cow drinking at the shore, next to a sauna, all of which is 8 hours drive from the nearest civilisation Learn More
This was shot at Olkhon Island on the shore of Lake Baikal, which the world’s largest and deepest freshwater lake. Billy Bolton captures the striking combination of a cow drinking at the shore, next to a sauna, all of which is 8 hours drive from the nearest civilisation Learn More
This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
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This abstract series of images were shot indoors and out, using a potted plant as a pinhole camera. In each print, the viewer can identify snippets of objects within the “shapes”; a window, a photograph, a light fixture, and so forth.
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