This collection of fine art photography celebrates some of the most quintessentially British scenes – from the Highlands of Scotland, the Outer Hebrides, ancient woodlands, wild horses and sweeping coastal panoramas of the South Coast of England.
Featuring such extremes including highest peaks, the most northerly and southerly tips of the British Isles, The British Landscape Collection is also a testament to the sheer grit and determination behind the scenes for the photographers involved in shooting them.
The new British Landscapes collection has been curated in collaboration with Another Country and forms part of an ongoing exhibition in their London store. For more information on this exhibition and to visit click here.
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Richard Gaston set upon a painstaking eight-hour climb in the middle of winter, battling through winds, snow and blizzards to take this momentous shot of Ben Nevis, Scotland's highest mountain. The lack of visibility and constant reckoning of the season proved challenging, but the result was well worth it. Bringing together the height of its peak in the Scottish Highlands and the light that begins to touch it, the gravity of this shot is anything but understated. Learn More
Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
Learn More
Richard Gaston captures a rare shot of a white Highland pony on one of the Isle of Harris’s infamous remote white beaches. The motion conveyed in the machair grass and the horse’s mane, captures beautifully the stormy, yet alluring conditions found in the Outer Hebrides of Scotland.
Learn More
Taken along the Seven Sisters coastline, East Sussex. Perrott takes the imagery of a vast, powerful sea and intersects it with the coastline that serves as its mouth, instantly contrasting the moving force of the water and the seemingly immutable landscape that borders it. Throughout his work, British photographer Oliver Perrott expresses his fascination with the stunning landscape and textures of the area in which he grew up. Learn More
Taken along the Seven Sisters coastline, East Sussex. Perrott takes the imagery of a vast, powerful sea and intersects it with the coastline that serves as its mouth, instantly contrasting the moving force of the water and the seemingly immutable landscape that borders it. Throughout his work, British photographer Oliver Perrott expresses his fascination with the stunning landscape and textures of the area in which he grew up. Learn More
Initially intended to be purely a landscape photograph with sheets of sunlight dancing over waters surface, a flock of seabirds unexpectedly made their way into the frame; adding an extra element of balance to the composition. A fine example of serendipity - a favourite ingredient of wildlife photography.
Learn More
Initially intended to be purely a landscape photograph with sheets of sunlight dancing over waters surface, a flock of seabirds unexpectedly made their way into the frame; adding an extra element of balance to the composition. A fine example of serendipity - a favourite ingredient of wildlife photography.
Learn More
Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northernmost point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
Duncansby Head, Scotland. Shot in gale-force winds and adverse conditions, perched on a cliff in the northernmost point of the Scottish coastline, capturing ‘Duncansby Head’ was a challenge. The results of this extreme shoot from Richard Gaston are as awe-inspiring as they are painstaking. Learn More
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
This image is part of a set taken on a walk along the Seven Sisters at Cuckmere Haven. In this series, Oliver expresses his fascination with the stunning landscape and textures of the area in which he grew up Learn More
This image was shot on a New Year’s walk around a reservoir in Derbyshire, using multiple exposures to reveal the rhythms and balances within a landscape. Rather than documenting the features that make a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
This image was shot on a New Year’s walk around a reservoir in Derbyshire, using multiple exposures to reveal the rhythms and balances within a landscape. Rather than documenting the features that make a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home, this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Taken close to home, this landscape, like all of Jonty Sale’s images, suggests an idea of place. Rather than documenting what makes a place unique, Sale abandons specificity and allows us to see the familiar, making his landscapes immediately recognisable. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Capturing a shot of these gulls flying over the Cairngorms mountain range in Scotland proved quite an undertaking thanks to the birds’ incredibly fast movement. This shot perfectly illustrates how the grey light of the Scottish Highlands has a softness and a beauty that is hard to find anywhere else in the world. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Seeing the moon in the daytime has always fascinated Gaston. Here, an ascent that began at 3am led to this shot, taken near the tip of Beinn Achaladair in the Scottish Highlands. The moon is set against a contrasting backdrop of sunlight just beginning to brighten up the mountainside. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
Ben Lawers, Scotland. Ever the admirer of a good monochromatic image, Richard Gaston struggled through adverse conditions whilst shooting Ben Lawers. This mountain is the highest point of the Scottish Highlands’ southern region. It was also covered in a sheet of snow and clouds for much of the time Gaston spent composing this image, the final product being shot within a few seconds’ gap of visibility. Learn More
